• Jack Rawlins


    To help myself and others write bawdy comedy and humor, I use the tools, tips and techniques of the pros--and I provide lots of good (and some bad) examples. Hey, it's a learning experience for me too.
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  • Comedy Writing 101

    This course is not like many others, in that it is not exercise after exercise and so-called hot tips guaranteeing to give you instant writing success, there is no such thing. What it will do for you is give you the best possible advice on how to produce solid humor. Humor Writing 101
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  • Free: How to Write & Sell Humor

    Available here in PDF for your education and enjoyment, How to Write & Sell Humor, is a funny, fact-packed, 61- page fast-read based on Jim’s 13-week, college humor writing course. Copy and paste this address in your browser :http://www.jimforeman.com/Books/WriteHumor/humor.pdf

James Mendrinos said it: “Words make jokes work.”

Sure, you’ve read it a hundred times, but it’s worth repeating what Mark Twain said, “The difference between the almost right word and the right word is really a large matter—it’s the difference between the lightning bug and the lightning.”

Judy Carter said it: “Spec scripts—don’t try to get a job without one.”

Anyway, if scripting is your goal, start with The Comedy Bible and jump to the chapter titled: “19 Days to Writing Your Sitcom Spec Script.” When you’ve digested all it has to offer and have read the rest of her book, get a copy of The Complete Book of Scriptwriting, by J. Michael Straczynski.

Comedy and humor writers should profile their audience

Some audiences can handle edgy material, but don’t try it on farm folks in Lancaster, PA. Save it for open mic nights at comedy clubs.

When you write comedy and humor, sometimes a smile is your only reward

Nothing is worse than a piece that tries heroically for the hearty laugh but stumbles when it’s reaching for the funny bone.